Learning to Fly
2010
·
Edmonton, Alberta
+ Project Details

Abstract
A 38,500-square-foot terrazzo floor for the Centennial Centre for Interdisciplinary Science at the University of Alberta. From a 300-foot plesiosaur to neurons, fractals, and stars, it reflects the research in the building and connects it to the river, ice, and migrating birds outside.
Narrative
Learning to Fly is an award-winning artistic terrazzo design, nearly 40,000 sq. ft. in size, for the Centennial Centre for Interdisciplinary Science (CCIS) at the University of Alberta in Edmonton. This world-class research and teaching facility brings together students, professors and researchers from multiple fields of interdisciplinary scientific research: Integrated Earth and Landscape Management, Nanostructures and New Materials, Resource Geosciences, Chemical Biology and Proteomics, Planetary Dynamics, and Physics.
My design concept began as a response to the geometry of the planned built environment and the geometry of the research environment. The design’s size and multiple passageways emphasize the transformational quality of education by offering a sense of journey and discovery. The floor is a ten-color epoxy terrazzo design reflecting the scientific research conducted at the University of Alberta, from a 300 ft. plesiosaur to neurons, fractals, subatomic particles, and stars. In total, the divider strip runs over 7 miles in length and more than 5,000 gallons of epoxy were poured. The terrazzo contains aggregates crushed from windshield glass and mining byproducts, which not only look beautiful in a polished floor, but they contributed to the building's LEED rating.
The gesture of connecting interior to exterior spaces is critical to the design: for example, looking out the North Theatre windows to the nearby North Saskatchewan River and recognizing the link to fluid dynamics with the river’s flow echoed visually in the floor, or to connect the formation of ice crystals on the windows outside to a diffusion limited aggregation in the form of a fractal embedded in the floor at your feet. In another section, one can make the connection between the patterns in the floor and the symmetry witnessed in the seasonal migration of a flock of birds outside. When this moment of recognition occurs, the world and its simple gestures become a much more meaningful and rich environment to discover.
The title comes from Tom Petty, by way of Dean Greg Taylor, who used it in his dedication of the building from his family to the students. When I asked the Dean what they research, he said everything in science. When I put a plesiosaur in the floor (because a buddy and myself found one once in the Black Hills of South Dakota), he recognized it and told me they had the world's foremost expert on plesiosaurs in their faculty.
“A human being is a part of a whole, called by us ‘universe,’ a part limited in time and space. He experiences himself, his thoughts and feelings as something separated from the rest…a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.”
~ Albert Einstein












