Quincentenary Project

1992

·

Denver, Colorado

Sector

Public Art

Client

The Fourth World Center for the Study of Indigenous Law and Politics at the University of Colorado at Denver

+ Awards

Quincentenary Project — sculpture public art in Denver, Colorado, by Scott Parsons

On the occasion of the 500th anniversary of Cristóbal Colón encountering the Taíno people at Guanahani, one hundred charred tipi skeletal frames — brought from the Black Hills of South Dakota — and over thirty historic markers were placed alongside the City and County Building and State Capitol in Civic Center Park in downtown Denver, Colorado, from October 10–12, 1992.

The placement of the tipis along the planned Columbus Day Parade route made visible a history largely unseen of betrayal and atrocity. This oppositional narrative of burnt skeletal tipis proved too stark an image in the landscape, and together with the thousands of people gathered on October 12 to protest, the parade was ultimately cancelled. At the time I stated: “Our imagination proved stronger than theirs.”

“There’s a little matter of genocide that’s got to be taken into account right here at home. I’m talking about the genocide which has been perpetrated against American Indians, a genocide that began the instant the first of Europe’s boat people washed up on the beach of Turtle Island, a genocide that’s continuing right now, at this moment.”

— Russell Means, American Indian Movement, speaking on October 12, 1992, prior to the cancellation of the Columbus Day Parade.

The Quincentenary Project was a collaboration with Dave Greenlund, the American Indian Movement of Colorado, and the Fourth World Center for the Study of Indigenous Law and Politics at the University of Colorado at Denver. Funding provided by the Chinook Fund.

Charred wooden tipi frame installed in Civic Center Park, forming part of a temporary counter-memorial addressing Indigenous history and colonization
Crowd gathered in solidarity with American Indian Movement banner in Denver, connecting the installation to public demonstration and Indigenous activism
Interpretive marker with text and archival imagery installed within the project, presenting historical narratives of Indigenous experience and colonization
Large crowd assembled in Civic Center Park during Quincentenary events, reflecting public support and collective presence within the installation
Close view of text-based marker featuring quotation and historical reflection, forming part of the distributed narrative across the site
Charred tipi structure positioned in front of the City and County Buildings and the Colorado State Capitol, situating the installation within a civic and political landscape
Charred tipi structure placed near equestrian statue in Denver Civic Center, juxtaposing Indigenous presence with established civic monuments

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