Ha-no-oo: Star Calendar
1997
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Denver, Colorado
+ Project Details

Abstract
A granite and marble floor at a Denver light rail station that maps the annual night sky with Native American constellations written in 21 indigenous languages from the region, including the Arapaho, Cheyenne, Paiute, Kiowa, and Bannock nations. All of the star names were shared by elders in conversation with the artist.
Narrative
Ha-no-oo is the Arapaho word for galaxy. This 500-square-foot granite mosaic floor emerges from the surrounding concrete in subdued granite hues to portray a highly specific rendition of the celestial vault above Denver, Colorado. Fifteen hundred pieces of stone form the composition. Twenty-one star geographies transform the sidewalk into a ten-thousand-year journey across the night skies of Colorado.
The idea began with the nature of a light rail station itself, a place of navigation, of people moving through the landscape, arriving and departing. I started thinking about how people used to navigate by the stars, and that led me to a question I couldn’t let go of: why default to the Arabic and European constellation traditions? The land we were working on had been read by sky-watchers for thousands of years before any of those traditions arrived here. That question became a multi-year quest, consulting with tribal elders across the region, learning how different nations had named and understood the same night sky in their own languages and from their own experience.
The Comanche see an animal with a long neck in the stars Europeans named Camelopardalis, the giraffe. The Kiowa name their constellation Dust of the Red Horse. The Northern Cheyenne see Stars in one bunch. The Paiute name the Northwind Direction Star. The Bannock and Shoshone both name the Little Dipper.
Once, the wolves put a lost Arapaho boy in charge of naming the stars, after he had let them all out of their parfleche. The boy would also have to keep track of them all, and if he didn’t, there would be no stars, and with no stars, there would be no moon, nor any rainbows. The sun would not go away, but there would be no light.
Mark Soldier Wolf also told me a story once about some Arapahos who were caught in a blizzard at night, long before Denver existed, somewhere near what is now downtown Denver, near where this station stands. They saw many lights in the sky. He understood this as a foretelling of this project, and of its location. He came with his family to dance at the dedication.
Many people graciously shared part of their world description, and without their assistance this project would not have been possible. Among those who contributed: Mark Soldier Wolf and family, George Tinker, the Comanche Elders and Language Committee, Forrest Kassanavoid, Wallace Coffey, Bernard Second, Claire Farrer, Wilhelmina Phone, Alonzo Chalepah, Zel Towasap, Camille George, Roseanne Abrahamson, Bernice Martinez, Randy Jiron, Joseph Toledo, Paul Pino, Anna Silas, Roger Echohawk, Walter Echohawk, Von Del Chamberlain, Dan Bedonie, and Brenda Tierney.
The floor was originally installed at the 16th and California Street Station in 1997 and relocated to the 14th Street and Wadsworth Station in 2013. The project was decommissioned in 2020.



